Sunday, September 18, 2011

Meeting minutes for Thursday, September 8, 2011

By Adrienne D. Wilson

Lisa Angle
, new President of the Screenwriters Association of Santa Barbara, opened the lecture at Brooks Institute by taking a few questions about the Association which began 35 years ago as an offshoot of a class at Santa Barbara City College. The group once had a “script library” but with the nature of screenplays being available online that had fallen by the wayside. There was interest in making the library available again.


Lisa mentioned resources available for writers in Santa Barbara, such as “The Table” at Max’s Restaurant every Wednesday at 6:30 pm where screenwriters gather and ta
lk film. Indiecoop is a directory for local independent producers and those working on independent film in this area.

Our speaker was Director, Writer, Producer John B. Macurdy, who has written over a dozen original feature film screenplays and is a 2008 Telly Award winner. Films he has worked on include The Pharaoh Project, A Murder of Crows, and the award-winning Nate and the Colonel.


Cool, calm and collected in a pea green shirt, the best thing Macurdy
gave the group was the idea that if thirty people wanted to make a film and all had their hearts in it, and all donated $1,000 each, it could be done! “You know why?” he asked. “They are going to want their names on the credits.”

In big Hollywood’s current focus on comic book heroes, franchises, remakes and so forth, “go independent,” he told the group. “We as writers need to stop putting obstacles in our way. I always wrote my screenplays because I wanted to see them.”

“Moviemaking is creative problem solving.”


Macurdy made the group laugh when he told us about Stonehenge. “Do you really need to go to England or can you use stock footage and then just have your actors posed against a rock as a backdrop?”


Need people in costume?

“Get Historic Reenactors.”

“They already have the costumes and they love what they do,” he said, chuckling.

Most important is a cinematographer you can rely on, because an experienced cameraman will let you know what shots you are missing. Macurdy gave the group his definition of a script: “A screenplay is a condensation of significant events arranged or organized for maximum dramatic effect.”


On directors, Macurdy spoke of the importance of a script analysis because that will give the sense of each character’s “dramatic spine.” Details in a script give the actor and director something to chew on, “but the actor might not do that” the way the writer wrote it. He told the group that screenwriting draws the picture, but it is in the collaboration that the magic occurs.


“One of the hallmarks of low budget films is white walls,” he laughed. “Get colors!”


“Get the best sound you can.”


Independent film is all about stories with a heart. “Take an acting class to understand how to be a director,” he said. This is to help learn about locations, set design, costumes and what the camera is going to do. Watch the film, My Dinner with AndrĂ© and you will understand what can be done with just two characters.

He left the audience with this thought: “If you have a story you want to tell, you can do it. You can make your movie.”


Making a film just might be sailing off to sea in a beautiful pea green boat if everyone’s collective heart is in it. Take a look at The Pharoah Project and see how you can be inspired!

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